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“Engaged Audiences: Strategies for Cultural Change” Summer School and European Conference, 21 - 25 September 2020, ADESTE+, Croatia


Deadline:

February 28, 2020

Event Date:

September 21, 2020 - September 25, 2020


Opportunity Cover Image - “Engaged Audiences: Strategies for Cultural Change” Summer School and European Conference, 21 - 25 September 2020, ADESTE+, Croatia

“Engaged Audiences: Strategies for Cultural Change” Summer School and European Conference

WHO WE ARE

ADESTE + is a large-scale European cooperation project aimed at expanding cultural participation. 15 partners in 11 cities of 7 European countries will work together for 4 years to bring the public to the center of cultural organizations: among the partners, many theaters, but also museums and multidisciplinary production centers.

“Engaged Audiences: Strategies for Cultural Change” Summer School and European Conference will take place from 21st to 25th September 2020 in Rijeka. At the moment confirmed speakers include: Nico Carpentier, Teodor Celakoski, Maria Chiara Ciaccheri, Mafalda Damaso, Melissa Dibble, Richard Evans, Lise Korsgaard, Andreja Kulunčić, Davor Mišković, Raul Ramos, Goran Tomka, Daniel Wetzel and Ana Žuvela.

The Call for participation at the Rijeka Summer School and European Conference on audience development is launched. Apply now!
– Application form for the Summer School.
– Registration form for the European Conference.

The deadline for submissions to the Public Call for the Summer School is 28th February 2020 and the deadline for the registration for participating at the European Conference is 10th September 2020.

The Summer School and European Conference in Rijeka will explore issues about the challenges and perspectives the cultural sector is facing around the notion of audience development. The notion of audience development is a transversal phenomenon extending in the frame of cultural policies through the participation in culture, encompassing the issues of cultural rights and access to culture. The concept of AD is of a more recent date, although the cultural policies have addressed the issues of participation in culture since the 1950s. In the contemporary world, audience development is one of the priorities of European cultural policies’ agenda. Swift changes of economic, social and technological environment, together with the accompanying transformations in the fields of communication and leisure time, had significantly influenced the deepening of relations with existing audiences and developing new ones both on local and global level. Contemporary technologies have significantly changed the ways of approaching, understanding, disseminating and sharing content in general, as well as in culture and arts, which, together with changes in political and economic landscapes, have strongly influenced the change of the character, needs and values of audience as well as their habits and roles in cultural and artistic sectors.

In the context of changes and new challenges, numerous organisations in culture started upgrading existing methods in the fields of marketing, communication, education, mediation and engagement as well as testing and attempting to find new models which will provide them on one side with strengthening relationship with existing audience while diversifying it on the other. Those organisations have recognized the potential of sustainable development in placing audiences in the centre of their interest, next to their artistic creation, production and distribution. Developing new approaches to audiences comprehends multiple relations between different fields of competences and action, from organisational culture and policies, profiles and fundamental purpose, artistic goals, financial framework, structure of professional and artistic personnel, programming habits, partnerships and cooperation to educational and marketing approaches, communication and digital technologies. Organisations in designing new approaches, among other, reflect upon questions such as how to make contents they offer more appealing to a wider spectrum of people, how to retain existing visitors, how to attract new ones, how to reach unexpected ones in their respective cultural institution, whether be it theatre, gallery, museum, cinema, cultural centre or else? Furthermore, following contemporary understanding of audience participation as an active creation, production, facilitation or decision-making, cultural organisations have started to work with people more and more. In contemporary society, cultural organisations play different roles in their cultural “eco-systems“, and thus attempt to reach different audiences for different reasons and in different ways. This diversity is a sign of a healthy and creative system oriented towards audience.

The “Engaged Audiences: Strategies for Cultural Change” Summer School and Conference will gather cultural professionals, artists, practitioners, researchers, scholars, policy makers from Europe and a broad range of disciplines. Therefore, the Summer School and Conference present an interdisciplinary effort in sharing new knowledge and skills, collecting new information and experiences, discussing various practical, theoretical and political approaches and meanings of audience engagement and cultural changes that lead to the building of a more inclusive culture.

In the course of the Summer School, to be held from 21st to 23rd September 2020, participants will be introduced to various external and internal aspects of audience engagement and organizational changes, while the two-day Conference programme, on 24th and 25th September 2020, will be focused on current challenges and perspectives of participation in culture.

The Summer School is dedicated to cultural professionals’ work with audiences, while the Conference is open to the wider public.

Working language of the Summer School and Conference will be English and the tentative programme is available here.

Participation at the Summer School and Conference is free. The participation at the Summer School is based on a selection process, while the conference is open to all interested parties but it is necessary to register. In that line, ADESTE+ partners have just opened the Public Call for participation at the Summer School and Conference. The participation at the Summer School is based on a selection process, while the conference is open to all interested parties but it is necessary to register. In that line, ADESTE+ partners have just opened the Public Call for participation at the Summer School and Conference.” Criteria for the selection of the participants is available here.

The Summer School and Conference are organized by the Croatian National Theatre Ivan pl. Zajc from Rijeka and Kultura Nova Foundation from Zagreb, both partners in ADESTE+ project, in partnership with Rijeka 2020. The events are part of Rijeka European Capital of Culture 2020 Programme.

For more information click "LINK TO ORIGINAL" below.


Eligible Countries
Host Country
Study Levels
Opportunities
Publish Date
February 02, 2020




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