CALL FOR PAPERS
a two-day conference taking place on:
Friday 6 May 2016, Regent Street Cinema, University of Westminster, 309 Regent Street, London W1B 2UW
Saturday 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN
Posing has been central to art, dance, and sculpture for thousands of years. In recent years, the growing interest in fashion media and modelling has also focused attention on questions of pose and posing. Incorporating notions of movement and stillness, posing can be understood in terms of historical modes of representation, as well as contemporary media and rapidly evolving relationships between bodies, subjects, and technologies of representation. Posing incorporates symbolic and semiotic meaning alongside embodied action and feeling. Recent coverage of the work of choreographer Stephen Galloway in032c magazine, and new publications such as Steven Sebring’s Study of Pose: 1000 Poses by Coco Rocha testify to the growing interest in the cultural significance of posing and the pose – yet both remain under-researched areas with little discussion of their significance.
Possible themes include (but are not limited to):
- Modelling (fashion and artistic)
- Dance (popular and classical)
- Pose and the everyday
- Movement and stillness
- Posing, corporeality and the body
- Posing and social media (Blogs, Instagram, etc.)
Please submit abstracts of 150-200 words in English, along with ashort biography of approximately 100 words to Posingthebody@gmail.com by 2 October 2015.
Organised by Rebecca Arnold, Oak Foundation Lecturer in History of Dress & Textiles, The Courtauld Institute of Art; Katherine Faulkner, Study Skills and Widening Participation Academic Coordinator, The Courtauld Institute of Art; Katerina Pantelides, Visiting Lecturer, The Courtauld Institute of Art and Eugénie Shinkle, Reader in Photography, University of Westminster.