Seventy years ago Sirarpie Der Nersessian published a translation into French of a little known Armenian treatise in defence of icons. Claimed by some to be the earliest example of this genre of writing to survive intact and imagined by others to have had a decisive influence on the theology of John of Damascus, it remains fundamentally unstudied. “Concerning Iconoclasm” is an extraordinary seventh-century treatise in support of the veneration of holy images. The author offers an extended argument (against an unnamed opponent) with ample textual citations from biblical and historical sources. This work offers a robust sense of the position of images within contemporary theology and culture. It also offers precious insight into a range of issues, including the relations (particularly regarding image-making) between the Armenians and Byzantines, and regarding the subject matter, and materials used to make, paintings.
Amid the flood of icon studies in recent decades, Vrt‘anēs’ contribution goes un- examined and virtually un- mentioned. It is the purpose of the present Workshop to offer to the scholarly community a fresh translation into English of this critical document and to open the field to new scholarship, to which the scholars mentioned below cordially were invited to contribute from their own valuable background in the field.
The new translation prepared by Christina Maranci, Arthur H. Dadian and Ara T. Oztemel Chair of Art History, Tufts University, with Theo Maarten van Lint, Calouste Gulbenkian Chair of Armenian Studies at the University of Oxford, will be circulated in advance among the contributing participants.
The place of the treatise in the history of the Armenian language and literature, the theological premises of its argument in the debate among Orthodox and Monophysite theologians, its background in earlier writings
– Jewish, pagan and Christian – its contribution to the Byzantine dialogue on icon cult and its long-range impact on the history of art will all be under discussion in the two day conference.
The workshop will convene at Pembroke College, University of Oxford 30-31October as part of the celebration of the fiftieth anniversary of the establishment of the Calouste Gulbenkian Professorship of Armenian Studies at the University of Oxford.
WORKSHOP ON THE TREATISE
CONCERNING THE ICONOCLASTS BY VRT‘ANĒS KERTOŁ (7TH C.)
30 AND 31 OCTOBER 2015
PEMBROKE COLLEGE
FRIDAY 30 OCTOBER |
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15:15 Opening |
Harold Lee Room |
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Thomas Mathews |
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Theo Maarten van Lint |
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15:30 - 17:00 |
Session 1 |
Chair |
Thomas F. Mathews |
Jaś Elsner |
Paganism, Iranian Idols and the Beneficence of Matter: Vrt‘anēs |
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K‘ert‘oł’s Riposte to the Iconoclasts |
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Averil Cameron |
Vrt'tanes and the Byzantine Greek context |
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17:00 – 17:30 |
Tea/coffee break |
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17:30 |
Pichette Auditorium Public Lecture |
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Session 2 |
Chair |
Theo Maarten van Lint |
Elizabeth Bolman Doctrine and the Economy of Salvation at the Red Monastery
SATURDAY 31 OCTOBER HAROLD LEE ROOM |
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09:30 – 10:50 |
Session 3 |
Chair |
Robert Thomson |
Christina Maranci |
Is Vrt‘anēs K‘ert‘oł the Author of Yałags |
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Patkeramartic’ [Concerning the Iconoclasts]? Some Observations |
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on the Historical and Manuscript Evidence |
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Robin Meyer |
Dating Vrt‘anēs’ text |
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10:50 – 11:10 |
Coffee/tea break |
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11:10 – 12:30 |
Session 4 |
Chair |
Jaś Elsner |
Thomas Mathews |
The liturgical context of Vrt‘anēs Kertoł’s text |
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Richard Price |
Armenian and Greek defences of icon veneration in the |
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seventh century: a comparison |
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12:30 – 14:00 Lunch |
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14:00 – 15:20 |
Session 5 |
Chair |
Emilio Bonfiglio |
Andrew Louth |
John of Damascus’ connections with Vrt‘anēs |
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James Russell |
The Elephant in the Room: Dawt‘ak the Rhetor’s Gift List |
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(read in absentia by Theo van Lint) |
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15:20 – 15:40 |
Tea/coffee break |
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15:40 – 17:00 |
Session 6 |
Chair Andrew Louth |
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Zarouhi Hakobyan |
Seventh century Armenian art: the immediate context |
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Theo van Lint |
Ezekiel’s Throne Vision: Vrt‘anēs Kert‘oł and Armenian Reception |
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17:10 – 18:00 |
Session 7 |
General discussion and closure |